Paul Cezanne Art print 'Still Life' on midweight fleece hoodie.
Cocoa / S
$50.00
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Paul Cezanne Art print 'Still Life' on midweight fleece hoodie.
$50.00
| S | M | L | XL | 2XL | 3XL | 4XL | |
|---|---|---|---|---|---|---|---|
| Width, in | 20.00 | 22.00 | 24.00 | 26.00 | 28.00 | 30.00 | 32.00 |
| Length, in | 28.00 | 29.00 | 30.00 | 31.00 | 32.00 | 33.00 | 34.00 |
| Sleeve length from center back, in | 34.00 | 35.00 | 36.00 | 37.00 | 38.00 | 39.00 | 40.00 |
| Size tolerance, in | 1.00 | 1.00 | 1.00 | 1.00 | 1.00 | 1.00 | 1.00 |
This midweight fleece hoodie feels like a quiet morning jump down a city street — warm, steady, and carried by momentum. The soft cotton face and brushed interior wrap you in comfort while the classic fit and dropped shoulders keep the silhouette relaxed and easy. A roomy pouch pocket and color-matched two-piece hood add everyday utility and a clean, simple look. The front artwork evokes rooftop rush and open-sky freedom, so the hoodie slips naturally into days when you want to move, explore, or simply sit back and watch the city breathe. Ethically made and OEKO‑TEX certified, it’s built for people who care about craft and conscience as much as comfort.
Product features
- OEKO‑TEX Standard 100 certified — sustainably manufactured.
- 80% ring‑spun cotton / 20% polyester medium‑heavy fabric with a soft cotton face.
- 2‑piece color‑matched jersey lined hood and roomy pouch pocket.
- Dropped shoulders and classic fit for a relaxed, casual silhouette.
- Made in FLA and WRAP‑certified facilities; tear‑away label for comfort.
Care instructions
- Machine wash: cold (max 30C or 90F), gentle cycle
- Non-chlorine: bleach as needed
- Tumble dry: low heat
- Iron, steam or dry: low heat
- Do not dryclean
About This Print
Cézanne. Still Life with Oranges. 1900.
Paul Cézanne spent his life looking at fruit.
Not because he was simple. Because he understood that a bowl of oranges was a problem worth solving — how do you paint the weight of a thing, the way light wraps around a curve, the space between objects that makes them real?
He never quite finished solving it. That was the point. Cézanne's still lifes aren't records of fruit. They're records of looking — patient, obsessive, revolutionary. Every brushstroke a question.
The Post-Impressionists called him the father of modern art. Picasso and Matisse called him 'the master of us all.'
This is one of his last. Painted in Aix-en-Provence, the year before the century turned. The oranges still glow.
For those who understand that the ordinary, looked at long enough, becomes extraordinary.